A&T@ 1st Edition _ 2015–2017
WEIGHT OF INSOMNIA
Installation with realtime captured video stream, 3 robotic painting machines, projection, canvas.
As the first edition of a series of projects under the auspices of Art & Technology conceived and curated by ZHANG Ga, Weight of Insomnia is commissioned by Chronus Art Center, supported by Lisson Gallery and ZONHOM Cultural Development Co.,Ltd.
Special thanks to Beijing Sanlitun CHAO, Shanghai Gallery of Art, BMW
Paint Materials by PIGMENT, Qingyuantang
Weight of Insomnia team:
Concept: LIU Xiaodong
Producer: GUO Cheng
Technology Advisor: Fito Segrera
Computer Vision Programming: Fito Segrera
Remote Image Transmission System: Fito Segrera
New Media Installation Support by Real Field Art-Tech co., ltd.
Project Leader: LI Ke
Software Design and Developement, Electronic System Desig: Roger RAO
Electro-mechanical control system design, Software Development: LI Hui
Electronic System Design: LI Xianyi
Mechanical and industrial design, processing management: ZHAO Yingfei
3D modeling: LV Jie
Project coordination: GUO Peng
About the Work
Working assiduously with a group of technologists over an extended period of experimentation, Weight of Emotion is LIU Xiaodong’s latest daredevil endeavor venturing into an unfamiliar zone of telematics and computer vision-engendered automation systems. Pushing boundaries of his documentary style of live painting, the artist completely reinvents himself by penetrating into the digital now. Already in his live paintings, LIU Xiaodong’s search for the real gains ground by a degree of retreat from the real as it appears and it sometimes takes surprising detours or shortcuts. Weight of Insomnia is precisely such a rupture, LIU Xiaodong has developed an automated system that uses streaming data and computer vision algorithms to continually paint a canvas for the entire duration of related exhibitions. The autonomous and performative painting is simultaneously de-familiarizing and engrossing.
Three locations were carefully identified and equipped with video cameras. Three large-scale canvases are mounted on crude construction scaffolds. A robotically controlled paintbrush jitteringly translates the three discrete, incoming datum captured by video cameras into contours of buildings, silhouettes of trees, outlines of vehicles, and shadows of human figures. If the canon of live painting is to arrest a fleeing second, to fixate a bygone moment for a rumination on signification, then what LIU Xiaodong’s canvases depict are a multiplicity of instants that are forever fluctuating, generating at each moment a new sediment of emotional residue, overlapped, juxtaposed, concatenated and truncated. It is as if the robot, reincarnated in a human consciousness, wrestles through an endless, restless insomnia to piece together an ever-evolving jigsaw of amorphous desires and anxieties, fleeting nightmares and ruptures. LIU Xiaodong thus constructs a new awareness of contemporaneity. In so doing, the artist not only re-assesses painting in the age of internet and algorithm but also makes apparent a new reality that situates itself in the materiality of media informed by data fluxes.
This commissioned work keeps updating for each exhibition. The three shooting locations for its first exhibition on 2016 are: the iconic Bund in Shanghai, a crossroad in Beijing’s fashionable Sanlitun district and a public plaza in the artist’s home town, a dilapidated former industrial city. The three locations for its second exhibition on 2017 are: BMW assembly lines, the trajectories of traffics at the Brandenburg Tor in Berlin and an anonymous rotary in Karlsruhe.